- Margy Brown
The Music Ministry Needs Assessment - Dream Team has essentially completed its work. We had a great response to the luncheon with approximately 75 people attending. Given that this occurred in the middle of the summer, we think this represents confirmation of how important the music ministry is to Trinity. Probably not surprisingly, given the diversity of our congregation, the feedback that we've received covers a wide territory and some desires are in direct conflict with others. This report will attempt to distill the data into some general themes and then provide some data from our survey to attempt to show the range of opinions.
The major themes that we heard were:
Diversity - Most of the people we heard from value the diversity of musical styles that we experience. Some would like more or less of certain styles but the majority wants more than one kind of music on a regular basis.
Inclusion/Ability to Participate - We want everyone to have the opportunity to be a part of the music ministry - young and old, instrumentalists as well as vocal music, even people without innate musical talent. We particularly want to include children and have their gifts integrated into the program as a whole.
Meaning and Integration - We want music that is deeply connected to our spirituality. Music should be an integral part of the service and serve to reinforce the message being delivered. We aren't looking to be entertained; we want our music to help us connect to God and to one another. We want to experience a sense of joy. Program notes that help us to understand the background of a piece of music and/or the reason it was selected for a particular service help us to connect and can help us to appreciate music that isn't exactly to our taste.
It seems important to have someone who can coordinate multiple choirs and many different types of musical offerings. We want our music program to be overseen by the minister(s) of music, even if he or she does not personally direct each group. It may not be realistic to think that one person could lead every type of choir and instrumental group desired but it is important to ensure that our music program is delivering a consistent message and that it allows for broad intergeneration participation from the congregation. It isn't possible to please everyone all the time but we want to try and have something for everyone. We want someone who is open to new ideas but also comfortable with traditional and classical music. And we want someone who is a minister of music, who cares deeply about the church and its message.
We would like to offer our thanks to everyone who took the time to complete the survey or provide comments. This information will be passed on to the search committee for their use in finding our next minister(s) of music. But please feel free to continue to pass along comments and suggestions to our team or to the search committee once it is formed.
In Your Own Words - Survey Responses Grouped by Themes
I love it when we:
Diversity
1. Have lots of diversity
2. Enjoy a mix of well known hymns and new songs
3. Encourage people to try new things
4. Variation/Diversity - traditional as well as new
5. Freshness of bringing in music from other countries
6. Have instrumentalists and choral music
7. I like the combination of piano and organ
8. I love it when we open our sanctuary for a wide variety of musical and other arts groups
9. I love a wider range of classical, contemporary, gospel, ethnic, Klezmer, Jazz, Ragtime, and whatever else is out there for us to learn
10. Have the various instruments, brass, etc. taking part and the music is lively
11. Love the harmonizing trios, they rock
12. Have diversity, different cultures, involve members in instrumentalism
13. Variation
14. Drums, Gospel, Bluegrass
15. Mixture of new and old
16. Variety
17. Have diverse musical offerings
18. Lots of genres of music, old and new; African
19. Bringing in outside talents, like African Singers
20. Lots of different styles
21. Sing ethnic or world music and have instruments other than organ. Even though I like organ also, it's not my favorite.
22. Have varied Instrumentation during worship. My husband and I really enjoy gospel, drumming, guitar, and children's singing.
23. Have gospel and different genres
24. Have varied instrumentation during worship.
25. Had the St. Louis Stompers. The church was really alive that day
26. Have money to bring in soloists periodically
27. Virtuoso Instrumentalists
28. Having outside performers (play and sing) during worship
29. Bringing in outside musicians (Psalm 150)
30. Have instrumentalists
31. When we bring in special musicians
32. When the musicians play instruments
33. The instruments play the harmony to our singing
34. Bell choir
35. Have orchestral accompaniment of many ages but not for every service (such as today, July 13)
36. Include "old standards" and sing with excitement
37. Traditional Hymns and Musical forms
38. Classical formal music and Traditional old hymns
39. The organ is used! Why spend $250,000 repairing it if it is not used?
40. Have more traditional music
41. JS Bach organ works
42. When we do a great big piece such as Faure Requiem - something to look forward to
43. Return to an emphasis of more church/classical music.
44. Sing the older familiar songs - the Easter and Christmas music.
45. Have classical music
46. Have a Gospel choir
47. Sing gospel music
48. Include Spirituals and other music that touches my heart by being less "cerebral" and more attuned to feelings and emotions.
49. Have Dixieland music
50. Inclusion
51. Use inclusive language
52. I also love it that we don't always sing the same Doxology, but change to one (or some?) with gender - inclusive language...
53. Can applaud in church
54. Clapped and Cheered
55. Inclusion of children and youth
56. Bringing in the Kids
57. Have opportunities for children to sing and lead worship in song
58. Children have a chance to show their talent as well as our congregation members who play instruments and those who sing
59. Involve Kids
60. have children's choirs participation more often and children musicians, too
61. We include kids of all ages who sing or play instruments
62. Could participate (like drumming)
63. We have a variety of choirs requiring varying levels of time commitment
64. involving members - instrumental and choral
65. Doesn't all have to be perfect or "professional grade"
66. Choirs with different levels of commitment (e.g. Trinity choir, Festival Choir)
67. Home grown musicians
68. Have short term commitment opportunities
69. Trade off choir with other churches - not just in emergencies with 1st Pres
70. Talented members of the congregation
71. Be invitational rather than overbearing
Meaning
72. When the music and theme are so connected
73. The performer get into the music
74. Use music to worship, not for entertainment
75. Can interact with the music, not just listen
76. Spirit filled music - rhythm, etc.
77. Integrate Bible and Faith into Music
Other
78. Play the bells to start the service and signal the beginning
79. Need enthusiastic leadership (help us move)
80. When Paul's enthusiasm drew us out.
81. Use introits and benedictions
82. Singing
83. The Trinity Choir Sings
84. The congregation sings a chorus of the hymns a capella
85. When postlude is so engaging that people stay in their seats